Akon - Freedom Album Review

Akon - Freedom Album Review

For the individuals who are beginning to become sick of Akon's steady appearances on singles, which is likely the majority of you, his new collection Freedom will well and genuinely push you over the edge into the eye-moving disturbance.

The initial five tracks on the collection are not even extremely urban; they are move pop numbers. They all have a similar sound and are melodiously monotonous and for the most part inconsequential. The single, Right Now Na, is as inconsequential as the title proposes.

The collection just somewhat improves with its 6th track I'm So Paid which is the subsequent single and highlights Young Jeezy and affable gerbil Lil Wayne. It is the token I'm-gangsta-and-I-got-cash song of devotion that has fundamentally become a hip bounce necessity. Be that as it may, it does force an appealing beat. Following this is Holla, a coordinated effort with the other craftsman that may have given us an overdose of something that is otherwise good, T-Pain. You would figure the two outline toppers could think of something somewhat more innovative. The track is skip-commendable and the snare gets irritating.

On a first tune in Against The Grain is a stick out, anyway its topic is sketchy. Akon is heart-broken when he sees his young lady on a post. On his past collection, a #1 diagram beating track more than proposed it made him need to "love" her. The crowd compassion levels aren't probably going to arrive at an untouched high on this one. Bright Day is fair and highlights Wyclef, however, it's most likely not single-material. The last melody is Freedom, the self-portraying story about leaving Africa. It is important and elegantly composed however the beat is just fair. All things considered, it's one of the better tunes included.

Akon is no new-comer or novice. He has three studio collections, his own apparel line, two record names, a philanthropy association and has highlighted on snares for more than 150 tunes by both setup and rising specialists. He is following in the means of Diddy and 50 Cent and is an agent just as a practised vocalist/musician.

It's conceivable that like numerous other fruitful craftsmen, for instance, Eminem and Ashanti, Akon's music depends on his hardships and the positive melodies don't function too. Bolted Up is most likely his best melody to date and it is about his time in jail. Opportunity, with its endeavoured move/R&B sort, is, for the most part, lighten and fillers with no genuine substance, and however it may discover its way into business R&B/house clubs, its life is restricted.

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